[ 摘要 ]

摘要

在現今原住民作家中，亞榮隆．撒可努可以說是才華洋溢的一位，因為他集作家、演員、森林保警、獵人學校校長等多重身份於一身，獻身於眾多文化活動，為了復甦族群傳統而努力，同時也用心關照現實。撒可努對於創作充滿熱情，卻不羨慕外在名利，對他而言，寫作是為了傳遞排灣族群的獵人思惟與分享部落生活的信仰價值觀。而其獵人文學書寫所描繪的人與自然的銘心愛戀更令人深刻感動，抒發了作家對於自然生態、族群遭遇的深層關懷。

本論文共分七章，第一章中，筆者主要對獵人文學作一定義，並對研究動機與文獻資料做介紹；第二章則述及亞榮隆．撒可努族群認同的歷程，以勾勒其對於獵人書寫的創作心理歷程；第三章就亞榮隆．撒可努的寫作所呈現的獵人生態哲學做一探討；第四章對於亞榮隆．撒可努文學裡的主題意識「原漢衝突」深入剖析；第五章從亞榮隆．撒可努的獵人書寫中，建構其排灣的族群文化；第六章則對於亞榮隆．撒可努寫作的藝術技巧進行探討；最後第七章結論，除了統整前面各章分論，做一整體的觀照，歸納出本論文的研究成果外，並進一步肯定撒可努在獵人文學書寫上的價值貢獻。

[ 英文摘要 ]

Abstract



Ahronglong•Sakinu, an actor, a member of forest patrol team and an actor, the principal of a hinter school, but also a very talented aboriginal Taiwanese writer is the one devoting himself in cultural activities, trying pull back tradition and caring reality. He is filled with enthusiasm in writing and pay so little attention about fame and finance. To him, writing is a way to transmit and share Paiwanese value. Those hunters, in his book, tell the writer’s very concerns about ecology and tribal history.

You could find seven chapters in the thesis. The purpose of the first chapter is defining the hunter literature. The second chapter, Ahronglong•Sakinu is introduced; the third, Ahronglong•Sakinu’s writings are discussed; the fourth, the conflict between Han culture and aboriginal Taiwanese culture, one of Ahronglong•Sakinu’s major topics, is analyzed; the fifth, Paiwan culture in Ahronglong•Sakinu’s writing is constructed; the sixth, critics of Ahronglong•Sakinu’s writings has been more discussed; the seventh, conclusions are made by integrating beyond chapters and the value of Ahronglong•Sakinu, the hunter, has been confirmed.