The ideological thought of post-modern Art neither just concerns manipulations of techniques nor discusses the value of hung art works in ivory tower of academy. Instead, it approaches the feelings and enters the experiences and thinking of restored natures which are more multifaceted and interdisciplinary. Just like the big bang in the universe inhaling inwards but radiating outwards every direction, Feminine Art, Aboriginal Art, and roaming camp of artistic creation restore the issues and move towards the world.
The present thesis looks into the situation of primary expression of a psychotic patient with aboriginal descent through studying her “descriptions” (including verbal expression and painting creation) of peculiar perceptual experiences (so called hallucinations). Art is a way of expression of human instincts and is an psychic activity occurring during the interaction of human beings and their environments. The client revealed kinds of images messes which evoke the fears and unease of the diseased subject. Rather than discussing the forms of painting arts, the thesis expounds the relationship between the “words” pours out from the innermost and the existence of human beings from the anthropological point of view and intends to provide proof of human existence. Not just following the pure return to experience of mute (l’experience muette), the present study intends to extract nutrients from paradoxes of Art and explore their nature so as to recognize the talents of transcendental consciousness.
Chapter one explains the reasons for choosing anthropological restoring and suspending attitude. Chapter two describes the field and introduces the real situation of study client. Chapter three and four perform phenomenological descriptions upon selected series of client’s work. Chapter five tries to restore the descriptions as temporary crystal of the present study.
