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卑南音樂之變遷探討 A study of the changing process of Puyuma music
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| 作者 |
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林映臻 |
| 學校系所 |
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東吳大學音樂學系 |
| 地點 |
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全臺 全部
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| 研究內容 |
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[ 摘要 ]
全論文探討卑南音樂從古調到流行之變遷過程，發掘卑南音樂各時代各類風格與作品。上篇探究卑南音樂之發展，先從族內人及族外研究者所觀察的古調中，向二次世界大戰前之卑南音樂探源，瞭解古調之音樂特色。再描述戰後至今卑南音樂如何從古調，走到受西式音樂教育影響，並以古調旋律風格創作的近代生活歌謠，如陳實與陸森寶的創作；林班歌謠如何帶來集體創作的意念；受西洋流行歌曲薰陶發揮在演唱與創作中的作品，如胡德夫；結合科技與音樂、改編卑南古調成電腦音樂的林豪勳作品；以卑南民謠改編成合唱作品，如錢南章等人的作品；陳建年、鄭捷任等人將古調改編，唱成現代流行民謠，其專輯還能獲得金曲獎的殊榮。
下篇則從曲目探討卑南音樂之風格轉變，選取〈凱旋歌〉與〈婦女除草完工祭〉兩首卑南古調，以及兩首陸森寶創作樂曲〈頌祭祖先〉與〈美麗的稻穗〉，從樂曲背景到樂曲之風格變化，分析比對同名曲目之有聲資料，但以不同演唱者、不同編曲者所做的不同唱奏詮釋，探究有聲資料的時代意義，並從中觀察到卑南音樂從古至今在部落與族人之間傳唱的變化，以及從傳統古調邁向流行樂界的歷程與風貌。
[ 英文摘要 ]
The study explored the changing process and discovered different types of styles and works at different times of Puyuma music, from its ancient melody to popularity. The purpose of the first paragraph was to explore the development of Puyuma music. In order to understand the uniqueness of its traditional music, the study investigated the materials observed both by the Puyuma tribes and other researchers, and traced back to the times of World War II. Furthermore, the study described how the traditional music had been influenced by western music education since the war and how it developed into modern ballads on the basis of the techniques of the traditional styles, such as the works written by PangTer and Baliwakes. Furthermore, how could the ballads sung by the employees of forestry bureau give rise to the concept of collaborative composition. Besides, Kimbo’s works and singing styles integrated the taste of western pop music. Isao rearranged the Puyuma music with the elements of technology and music. Nan-Chang Chien and other tribes reorganized the music into choir forms. Pur-dur and Jye-Renn Cheng merged the traditional music into popular ballads, which was even awarded by the Golden Melody Award.
In the second paragraph, the study probed into the swift of the styles from repertory by selecting pinuLiyangedayan （Victorious song）and emayaayam（Songs for women''s completion of weeding）, and the works composed by Baliwakes, miamiami dai maidang（Song for worshiping ancestors）and bulai naniyam kalalumayan（Beautiful rice grain）. The study compared and analyzed the same works with different ways of performing and transcription, trying to generalize the meanings of the audio information and moreover, to observe the changes of the Puyuma music at different times and to reveal the process and the feature of the Puyuma music, from its ancient style to a modern one.
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