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解構原始之生命力 - 圖騰與大地創作硏究
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| 作者 |
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郭文毅 |
| 學校系所 |
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國立新竹教育大學美勞教育學系碩士班 |
| 地點 |
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全臺 全部
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| 研究內容 |
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[ 摘要 ]
藝術是人類生活的反映、情感的表現，自古人類生活即以藝術息息相關，並常把生活情形，用繪畫形式，表現於岩壁上，想了解人類生活方式和過去歷史文化種種，在還沒有文字發明前，從岩壁上的原始圖騰藝術是唯一的線索，因此原始圖騰藝術具有時代的美感與意義，值得我們仔細欣賞研究。
筆者在觀賞原始圖騰藝術時，有鑑於原始圖騰文化深具生命力與造型，然原始部落、原始藝術飽受文明科技之洗禮，淹沒殆盡，有感於此，擬定以原始之生命力作為研究主題，希望藉由原住民熱愛大地與大自然，並與之和平相處之文獻探討，剖析最原始之生命方式與原則，反省當下的我們，該如何在追求經濟成長與保護原始文化，維護生態環境中，取得平衡點，並透過藝術創作的方式，來詮釋生命的意義與價值。
本創作研究方式是以理論的探討與實際創作相互整合，藉由現代藝術源自原始藝術生命力之觀點，透過圖騰文化與原始生命力之探索及大地場域與原始生命力之互動，來建構創作理念與主題。在創作形式與技法上，以並置重疊之排列組合及立體分割之技法和結構張力與氣份之營造來呈現。最後，發展出三大系列作品，分別為「心聲與對話」、「出路與淹沒」、「反思與共榮」，來詮釋筆者對原始藝術的感動與關懷，期盼現代人對原始圖騰文化多一點關注，並展望未來個人創作發展有更多元的可能性。
[ 英文摘要 ]
Art is the reflection of humans’ lives and passions. Since ancient time, art has been part of people’s everyday life. They even carved their important events on the rocks or in the caves. If you are curious about their lives and history, taking a look at the drawings in the caves or totem on the rocks would be a good start.
As researcher appreciated primitive totem, researcher was deeply touched by the lively art style, yet worried it would be avalanched with modern technology. Seeing this, researcher focus on the theme of primitive life, review the literatures of how aborigines lived peacefully with mother nature, analyze the rules of primitive life, reflect on ourselves and find a way to balance economics grow and ecosystem protection. Researcher also interprets the meaning and value of life by art creation.
The research integrates theories and practice from the point of view of modern art flowing from primitive art, explore the totem and primitive life and interaction of aborigines and mother nature, construct the idea and the theme of art creation.
The forms and skills that researcher apply to balance the modern art and primitive art include juxtaposition, overlapping, tridimensional golden section and structural stretchability. In this way, researcher create three series of works of art. They are “Thoughts and Dialogue” , “Way out or Die out” and “Mutual Understanding and Coexistence ”. They show how deeply researcher is moved by primitive art and convey researcher’s care about it. Researcher hope that the three series would draw more people’s attention to primitive totem culture and develop research’s ability of art creation.
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