[ 摘要 ]

近年來以文化創意產業為導向的商品開發熱絡的在設計界推行，本研究在文化領域中透過以排灣族撒古流為例，一方面提升產品背後的故事性，另一方面也希望社會大眾對原住民文化有新的體驗。

本研究首先透過文獻資料、參與觀察、訪談紀錄的交互驗證，整理出影響撒古流創作的四個因子。第二階段則建構文化藝術轉換創新設計模式並執行創新產品設計創作。第三階段進行文化藝術與創新設計聯展─原舞飛揚，地點選在長庚養生文化村。最後透過與專家的訪談紀錄做為本研究之討論。

本研究發現：(1) 探討影響撒古流創作因子的過程有助於讓研究者對藝術創作者有新的觀點與認知。(2) 透過文化藝術轉換創新設計模式設計師能夠創作富有文化意涵之產品。(3) 文化藝術與創新設計聯展的規劃讓展覽創作融入村內生活環境，鼓勵參觀者務必親自體驗感受，去觸摸、使用。

沒有百步蛇紋不代表和排灣族就沒關係，設計師身為生活價值的創造者，在文化產品設計上應該慎重以對，如何真切的傳達使用者「文化意義」比起複製、貼上的「文化表現」更為重要。



[ 英文摘要 ]

In these years culture-and-innovation-oriented products have been eagerly developed and produced in the realm of design. This research, on one hand, makes the story of every product stronger; on the other hand, delivers new understanding of aboriginal culture to public by taking the Sakuliu of Paiwan tribe as an example in cultural area.

This research proposes four elements which influence the innovation of Sakuliu through the crossing evidences from referring documents, observing and interviewing. In the second section, this research constructs the pattern which is transferred from cultural art to innovation design and conducts the creation of innovative product design. In the third section, the research holds a combined exhibition of cultural art and innovation design, “Aboriginal Fantasy”, located in the Chang Gung University cultural village. Last, this research takes the records by interviewing with experts for discussion.

Three discoveries from this research are as follows. First, researchers can get new views and cognition of art creators during the process of researching the elements which influence the innovation of Sakuliu. Second, designers can create products which possess rich cultural meanings by the patterns transferring from culture and art to innovation design. Third, the combined exhibition of cultural art and innovation design makes the innovations goes into the real living environment of the village and encourages visitors to feel, touch and use personally.

Designs without the veins of hundred-pace snake do not mean that they have nothing to do with Paiwan tribe. As a creator of live value, a designer should be prudent when designing cultural products. How to truly deliver the cultural meaning to users is far more important than the cultural display of copying and pasting.