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卑南族知本天主堂建築之裝飾圖像詮釋
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| 作者 |
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羅小婷 |
| 學校系所 |
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國立東華大學民族藝術研究所 |
| 地點 |
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全臺 全部
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| 研究內容 |
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[ 摘要 ]
本研究旨在探討原住民圖像應用在教會建築裝飾之詮釋。研究地點以台東市卑南族卡地布部落為研究區域，以區域內的知本天主堂作為個案研究的研究對象。針對教堂的裝飾作品，分別進行作品的圖像詮釋、創作者意圖、觀者的美感經驗三個部分之分析，藉以瞭解其表現及特色。研究方法以文獻整理分析，並採用田野調查之訪談法、問卷調查並配合田野觀察方式等進行資料蒐集與紀錄，以瞭解創作者、教友、族人對於天主堂裝飾的觀點與感受；進而以圖像文本資料分析法，藉由圖像學、完形心理學、風格論等論述觀點，來分析詮釋教堂作品之內涵意義。研究結果歸納如下：
一、 知本天主堂建築內外裝飾圖像融合西方宗教圖像、原住民各族圖像、卑南族與當地卡地布部落的圖像為特色展現。
二、 知本天主堂以原住民傳統建築材料、原住民木雕人像、卑南族多層次菱形紋圖案、地方口傳神話故事石雕等，表現其原住民特色。
三、 創作者透過教堂建築裝飾來展現天主教教會的一種在地本土化之實踐。
四、 觀者對於知本天主堂之裝飾圖像的美感經驗，基本上反映出集體的文化認同意義。
本篇論文的結果有助於教會本土化藝術實踐、族群圖像與文化的連結等相關研究範疇，且增進對於西方教會與族群圖像的藝術表現的關連性之理解。
[ 英文摘要 ]
The purpose of this study is to interpret Indigenous style and expression form on the Chiben church decoration, in a Puyuma village called Katatipul in Taitung country. Analysis is conducted on three foci: 1) interpretation of church art pieces; 2) intention of art makers; 3) aesthetic experience of church viewers.
Based on qualitative interviews and questionnaires for field study, data was collected, recorded and analyzed by field observation as well, to understand perspectives between art makers and viewers from different ethnic or religious backgrounds. Iconography, Gestalt psychology, and style theory are utilized as theoretical basis to analysis implicit meanings of the church decoration.
Findings of this study include four parts:
1) The interior and exterior of church decorations have evolved, patterns and images from both western religion and local Indigenous traditions.
2) The visual presentation of Indigenous style is concluded by using the Indignous traditional materials in building, designing with the Puyuma diamond pattern, adopting oral myth in carvings, displays.
3) The art makers have practiced a form of religion localization through art decoration project in this church.
4) Aesthetic experiences of viewers reflect a collective value towards cultural identity.
The result of this study enhances the discussion on religion localization through art practices, and also the understanding of ethnic images with links of cultures from the western church system to the Indigenous visual design. |
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