依類型 族群 主題   
 
 
2014.12
原住民傳統祭儀歌謠數位化傳承之價值--以布農族為例
族群: 布農族   
主題: 音樂、學術研究  
作者 郭美女
期刊名 臺灣教育690期頁4-11
ISSN 1816-6482
地點 全臺 全部  
研究內容

布農族是台灣原住民族群中,舉行傳統祭儀最為繁複的一個族群,各項祭儀不但配合著相關的歌謠進行,傳統祭儀歌謠更是依附在習俗或宗教信仰的需要,除了提供有關部落和家族的力量與財產的訊息,並把社會的信仰、宇宙觀、道德價值形式化和制度化,進而促使各族群部社團結一致。音樂歌謠是保存原住民傳統文化最有效的方式,在二十一世紀的高科技時代,傳統祭儀仍是布農族人賴以維繫同族情感、傳遞傳統文化的重要活動依據,然而隨著經濟迅速發展及社會結構改變,在面臨現代主流音樂文化的潮流衝擊下,原住民耆老或傳統樂人相繼凋零,傳統祭儀音樂文化面臨急速的流失與變遷,造成珍貴的傳統音樂文化資產棄置,加上缺乏流通分享機制,資料效益難以發揮;如何透過數位與傳播科技來保存和傳承,使布農族傳統祭儀音樂藝術具有「原創性」與「開創性」的文化傳承價值,已為刻不容緩的事實。

In Taiwan, the aboriginal tribe of Bunun possesses the most complicated traditional rituals. Each ritual is performed with significant association with songs. More traditional ritual songs are also attached to the necessity of customs or religious beliefs. Besides providing the information of power and wealth of the tribe and families, they also formalize and institutionalize the social beliefs, cosmology and moral values, thereby promoting social solidarity of various ethnic groups. Musical songs are the most effective way to preserve the traditional culture of the aboriginal tribe. In the high-tech era of 21st century, the tribe of Bunun still depends on traditional rituals to maintain the emotional connection and pass down traditional culture. However, with the rapid economic development and changes in the social structure, facing the impact of modern mainstream music culture aboriginal elders or traditional musicians have withered. The music culture of traditional rituals is facing rapid changes and losses which have caused the abandonment of precious the cultural heritage of traditional Bunun music. With the lack of supporting mechanism, it is difficult to bring the data efficiency into full play. It is imperative that the heritage of Bunun traditional ritual music art be preserved, and their "originality" and "innovation" of cultural heritage value through digital dissemination be kept.