[ 摘要 ]

傳統的阿美族音樂文化因西化與現代化正逐漸轉型為新音樂文化型態。在歷經「外部殖民」與「內部殖民」 的多重殖民過程、文化殖民主義 長期的置入、現代化生活的迅速變遷，以及後現代社會語境中大量複製的通俗藝術與大眾文化的衝擊下，阿美族的音樂文化早已被侵蝕與西化。傳統的阿美族音樂文化應如何延續承載，自混沌衝突中融合，解構再建構為符合現代社會所需又能延續阿美族傳統音樂之主體精神，應由部落住民為自己書寫與言說。

本文從阿美族傳統音樂文化的發展論述，探究在殖民／後殖民文化入侵下的阿美族，對其音樂文化的認同產生的矛盾與錯置、在現代／後現代現象下其社會價值觀的轉變，以及面對後現代與後殖民交互衝擊影響下，阿美族的音樂又將如何突破傳統困境並結合多元化方式找尋新的位置？筆者以「都蘭山劇團」（Malatan）為研究對象，有別於其他原住民音樂團體，它從部落扎根，由部落出發，以歌、舞、劇結合的表演模式從部落底層向外擴展延伸的音樂劇團，作為阿美族在地音樂文化反思與轉型的另一種展演的轉化呈現。最後筆者以達賴喇嘛的「對話」觀點切入，因為唯有透過政府與原住民之間互信、共存的平等對話基礎，才能繼續推動與貫徹來自政府與部落的各種聲音與建議，讓阿美族保留傳統音樂文化的精神，延續其珍貴音樂文化資產且能與時俱進。





[ 英文摘要 ]

Due to the westernization and modernization, the traditional culture of Amis Tribe’s music is transforming into a new musical style. After experiencing the multiple “external colonization” and “internal colonization” processes, the long-term invasion of cultural colonialism has greatly changed Amis Tribe’s life style in many ways. Influenced by the multiplication of folk arts and public culture in the Post-modern society, Amis Tribe’s music has already been corroded and westernized. How can Amis Tribe’s traditional music culture survive and be passed down? How to integrate both the tradition and modernization, deconstruct and reconstruct to make it not only conform to the modern society, but hang over the vitality of Amis traditional music as well?

The thesis explicates the development of Amis Tribe’s traditional music, and further explores how colonization/post-colonization results in the Amis Tribe’s contradiction and identification crisis toward their music. Under modernization and post-modernization, the values shift. Confronted with the interaction of post-modernization and post-colonization, how will Amis Tribe’s music make a breakthrough, and combine the diversification to discover the new orientation? In this thesis, Malatan is the main research subject. Different from other aboriginal musical groups, Malatan is the one that combines songs, dances, and drama; the one that takes roots from the traditional tribe, and extends outward to the world. Therefore, Malatan is the representative of Amis Tribe’s introspection and transformation toward their local music.

Finally, the researcher adopts the viewpoint by Dalai Lama. Only through the mutual trust, and coexistence between the government and the aborigines can Amis Tribe implement various ideas and suggestions. Accordingly, Amis Tribe’s can retain the traditional music culture, and simultaneously keep up with the trends.

It is suggested by the research that, first, the government should work on a comprehensive program of WiMAX and digital convergence. Second, the academic organiz