|
|
 |
|
|
|
| |
|
|
| |
|
|
|
博物館展示中的文化詮釋－以排灣族群織品服飾為例(ETHNIC TEXTILES AND CLOTHING EXHIBITIONS IN LOCAL MUSEUMS: AN ALTERNATIVE APPROACH APPLIED TO THE PAIWAN MINORITY)
|
|
|
| 作者 |
 |
巫習民 (Wu Hsu-Min ) |
| 學校系所 |
|
輔仁大學織品服裝學系 |
| 地點 |
|
全臺 全部
|
| 研究內容 |
|
*中心館藏網址:http://0rz.tw/7758G
[ 摘要 ]
在台灣原住民傳統織品服飾嚴重流失的今日，不可否認的，博物館就成為我們要瞭解其織品服飾最重要的場所了。雖然在台灣有許多不同類型的博物館均有收藏及展示原住民織品服飾，惟就目前的觀察及分析所得，在對織品服飾的文化詮釋方面均面臨了一些問題及限制。因此，本文在對此現象反省之餘，也嘗試以一個織品服飾文化研究者的角度提出一些改進之道。並且，以排灣族群的織品服飾為例，來說明其在博物館展示中文化詮釋的方向。本文的寫作架構，根據探討的內容依序分為五章。除了第一章諸論外，在第二章的內容，首先就原住民織品服飾文化及台灣地區博物館與原住民物質文化的蒐藏進行初步整理，其次就台灣地區博物館對原住民織品服飾在展示中的文化詮釋進行分析，並且將其歸納成三種主要的方向，分別是傳統人類學式、模型文化式、美術館式。當然這樣的歸類也並非絕對。接著在第三章的主要內容，除了對第二章所論及之三種主要文化詮釋方式進行反省外，並進一步討論博物館在對原住民織品服飾進行文化詮釋時面臨的其他限制。之後，本文運用了人類學家Clifford Geertz文化詮釋的觀點提出了可行的改進之道。繼之，在第四章則以排灣族群的織品服飾為例，來說明在博物館展示中文化詮釋新的思考方向，此一部分主要討論的內容有：排灣族群的社會文化背景。排灣族群織品服飾的材質、織造及使用。排灣族群織品服飾上紋飾之象徵意義與審美意涵。排灣族群織品服飾文化的變遷與發展。最後，本文在第五章結論部分，認為博物館在社會上的確扮演著一個化詮釋者的角色，其所採取的詮釋觀點及詮釋方式，將影響著大眾對原住民織品服飾的認識。所以，本文以排灣族群織品服飾為例，所提出其在博物館展示中文化詮釋的方向，主要是希望，一方面能掌握住其織品服飾文化更完整的面貌。另一方面也想透過更多不同文化詮釋觀點或方式，彼此間相互的對話、辯證及補充，使排灣族群，甚至整個原住民的織品服飾，能在博物館展示的文化詮釋空間中，被深刻的詮釋出來。
[ ABSTRACT ]
The thesis is composed of five chapters. Following Chapter One of introductory content, Chapter Two focuses on the various local museums currently exhibiting Aborigines textiles and costumes. The exhibitions are analyzed in terms of their contents and character, are assessed in terms of their
degree of cultural interpretation, and generally classified on
the basis of the prevailing display methodology used,
including (1) the traditional anthropoligical approach (2) the
model culture approach and (3) the fine arts approach. In Chapter Three, these approaches are further discussed in terms
of their merits and limitations. Additional limitations and
problems of cultural interpretation encountered by local mu-seums featuring Aborigines'' textiles and clothing are discussed. Based on concepts of interpretation of cultures put
forward by anthropologist Clifford Geertz, a more integrated approach to exhibiting traditional textiles is proposed. In Chapter Four these concepts are applied to Paiwan ethnic textiles and clothing, examplifying the cultural interpretation approach to museum exhibition, comprising : 1. Social and cultu- ral background of the Paiwan Minority. 2. Material
resources, manufacture, and uses of Paiwan ethtnic textiles and
clothings. 3. Symbolism and meaning of ornamental designs
applied to Paiwan costumes. 4. Paiwan ethnic textiles and
clothing : changes and modern developments. Chapter Five
concludes that museums do play a decisive role as cultural
interpreters for our society. Their specific perspective and
approach to staging exhibition will definitely influence the
public''''s concept and appreciation of the role and cultural
significance of the textiles and clothing characteristic of our
Taiwan ethnic minorities. In conclusion, it is pointed out that
using a cultural inter- pretative approach to Paiwan textiles and clothing has manifested the merits of this particular approach to museum exhibits. |
|
|
|
|
|
|
|
